![]() ![]() They do not sound as muffled as the sine ones because of the harmonics. When you play a 440Hz sine wave, the only frequency you hear is 440Hz. ![]() This is because it is pure: there are no “side effects” sounds. We will show you how different waveforms sound like, by using the Bass Max For Live Plugin to produce the waves (see our review on it here) and the s(M)exoscope to visualize them (download it here) The shape of a waveform refers to the curve of the waveform line in other words, how the displacement changes over time. In part II we will go over the possible uses you can give them, and comment on which ones may be chosen to start creating a sound. In part I, we will go over the usual waveforms we can find in synthesizers. But the thing is that, the rest of sections of your synthesizer will be as decisive when creating the main character of your instrument. The waveform, or rather the waveforms – since you will find many sounds made of a mixture of various oscillators – gives us some of the first texture of the sound. When working on designing a particular synthesizer sound, it does not only depend on what type of waveform you start with. We are sure that many of us would love to have a clear guidance on what kind of waveform to start with when we are doing sound design, but it is not that easy. The other day, one of our Aulart students asked us a very interesting question: What wavesound should be used when creating different synth instruments?(leads, pads, basses, atmospheric sounds, plucks, etc) ![]()
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